Benny The Butcher is riding with his Buffalo Bills, and with the Kansas City Chiefs coming to town, he’s got a message for Taylor Swift.
The Butcher is ready to exact revenge on the Chiefs for the last few years of playoff defeats, and in the process, he sent a lighthearted warning shot to Swift, who is dating Kansas City star tight end Travis Kelce.
“Tell Taylor Swift to tap in when she gets to Buffalo #BillsMafia,” The Butcher captioned a photo from the Bills defeat of the Pittsburgh Steelers on Monday (January 15).
“Tell Swift to put some steak in her salad because the butcher is coming,” a fan wrote.
Bills legend Andre Reed chimed in: “The Butcher on that ‘Bron’ Tip,” referring to the rapper’s latest track.
To advance out of the Wildcard round, the Bills took out the Mike Tomlin-led Pittsburgh Steelers on Monday, 31-17, with quarterback Josh Allen leading the way with four touchdowns.
Instead of heading to Kansas City like previous years, the Bills and Chiefs will do battle on Sunday (January 22) at Highmark Stadium in frigid Buffalo, New York.
Fans can expect Benny and possibly T-Swift to be in attendance for the pivotal playoff match-up between rivals.
January could be shaping up to be an epic month for The Butcher, with the Bills looking to make a Super Bowl run and his Def Jam debut album arriving on January 26.
Everybody Can’t Go boasts 12 tracks and includes previously released singles “Bron,” “Big Dog” featuring Lil Wayne, and the Stove God Cooks-assisted “One Foot In.”
During his November appearance on the Rap Radar Podcast, the Buffalo native detailed the meaning behind his forthcoming LP’s title.
As has become commonplace for the butcher, Everybody Can’t Go has a tapestry of meanings, including loyalty and being “built differently.”
“Everybody can’t go because they are not cut like that,” he explained. “They were not made like that. And you can’t dance to every song, you know what I’m saying? […] Everything is not for everybody. With new levels come new devils, and I want more. I want bigger for myself.”
He continued: “When you make that first cut—when you see, ‘these people are not for me, they don’t need to be here’ — so the people who made that, who got past that cut, think they’re safe. And what I mean by level up, you know, is my way of thinking. And of course, my way of making music.”
